Saturday April 04, 2009
On The Margins(Masood Mortazavi)
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[ Art (هنر) ]
One More from Majid Madjidi
Majid Majidi, the director who has made a series of internationally released masterpieces (Baran, The Color of Paradise and Children of Heaven) has now released one more: The Song of Sparrows. My daughter and I got to watch this movie in a Tehran cinema in January (2009), and I'm delighted to see that the movie has made it to the U.S. so quickly after its screening in Iran. Its US screening started in Manhattan yesterday (April 3, 2009, coincidentally with Persian New Year's sizdah-bedar tradition). You can read the reviews in The New York Times and in The Wall Street Journal. The latter review includes an interview with Majidi and some deeper analysis of his works. There's something strangely attractive about Majidi's work—his handling of simple and universal human emotions, the likes of which one rarely sees in movies made by major houses. If you watch The Song of Sparrows and have some liking for it, you should also explore his other works, each of which study a different dimension of the human emotional core in a completely different setting. Here, I'm searching for a proper description but I cannot find it. A story can hardly be summarized. It can, in fact, only be told, and each of Majidi's stories are wildly different which help make his works completely fresh and always unexpected. It is also amazing that in many of them Reza Naji has a leading role, and he remains equally perfect for all of these roles. Is it his acting skill? Is it the core, simple character that he has built which keeps seeping through the various stories? In one of Majidi's movies, Baran, Naji plays a minor role but as Majidi's viewer you will keep wondering whether you're dealing with the same man in all these movies where Naji appears. In a sense, Naji has tied the movies together through his acting and simple character play. In closing, note that Hossein Alizadeh, one of the living masters of classical Persian music, has composed the music for Sparrows. (I purchased the CD in Tehran's Home for the Arts in January but I've not had a chance to listen to it in full yet to see whether it includes any tracks beyond what we hear in the movie. I would not be surprised if it does.)
2009-04-04 23:55:44.0 --
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[ Persian (فارسی) ]
Happy Persian New Year, Happy Nowruz!
Happy Persian New Year (Nowruz)! As a friend wrote to me, "This morning at 4:45 am [California time] the Sun crossed the equator signaling the first moments of the Spring, and the start of the Persian New Year :-) The site http://www.timeanddate.com/news/holidays/vernal-equinox-2008.html has a good explanation of what constitutes March Equinox." Foreign ministers of Persian speaking countries celebrated Nowruz in Afghanistan.
2009-03-20 11:46:34.0 --
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[ Art (هنر) ]
Modern Rendition of a Classical Theme
I blogged about it here.
2009-01-30 09:03:10.0 --
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[ Art (هنر) ]
Classical Persian Music
2008-10-02 21:12:28.0 --
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[ Art (هنر) ]
Modern Persian Ceramic and Carpets
Jadid Online's report on carpets by the late Iranian artist, Abolfath Rassam-Arabzadeh, contains an amazing display of his works described by his daughter, Zhila, with a sneak view into the museum and workshop built in his honor in Tehran. Apparently, a Japanese museum had once offered $11 million for one of Arabzadeh's works containing several scenes from Persian poet Ferdowsi's Shahnameh.
2008-06-01 11:46:43.0 --
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[ Culture ]
Experimenting with New Ink
Once, when I was 7 or 8, I received two lessons from a master Persian calligrapher, a Mr. Foradi, in Tehran. Mr. Foradi used to be on contract at my fathers' advertising and design firm. In the first lesson, he taught me how to hold the pen, how to ink its tip, and how to cushion the thin calligraphy paper. He then asked me to write, 100 times in a neat row: "A Man's Virtue is Far Better than His Post and Wealth"—a piece from a 1000 year old Persian poem. ادب مرد به ز دولت اوست. It is hard to find expert Persian calligraphers and the right equipment and training in the U.S. My father bought me the Persian calligraphy pen shown in this photo from The Persian Calligraphy Institute in Tehran, Iran, in August of 2006. I used the pen and the special ink, which my father had also purchased for me, to write "Traditional Music" on a piece of printer paper. (I should say here that I didn't think much of Persian traditional music when I first arrived in the U.S. as a teenager. Now, I have learned to appreciate enough of its subtleties to enjoy it.) Once, when I was 7 or 8, I received two lessons from a master Persian calligrapher, a Mr. Foradi,
in Tehran. Mr. Foradi used to be on contract at my fathers' advertising and design firm. In the first lesson, he taught me how to hold the pen, how to cushion the paper and asked me
to write, 100 times, that "A Man's Virtue is Far Better than His
Post"—a piece from a 1000 year old Persian poem.
2008-03-28 22:09:31.0 --
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[ Persian (فارسی) ]
Happy Persian New Year
2008-03-20 18:20:34.0 --
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[ Art (هنر) ]
Zero Degree Turn -- Persian TV mini-Series
Farnaz Fassihi of The Wall Street Journal ("Iranian Unlikely TV Hit"), Washington Post, Nasser Karimi of Associated Press ("Iran's Newest Hero Aids WWII Era Jews"), a certain teenage family member ("Persian Stuff: Zero Degree Turn") and now NPR ("Romance on Iranian TV Crosses Cultures") have all published stories and bits and pieces about "Zero Degree Turn," an Iranian TV mini-series shot in Paris and Budapest. The mini-series involves a love story between an Iranian-Palestinian Muslim man and a French Jewish woman during World War II. It is based on the true story of an Iranian student-diplomat in Paris who saved some 1,000 French Jews by issuing Iranian passports to them as a means of passage to the safety of neutral Iran. YouTube seems to have some pieces of some of the episodes. I hear that the theme song of the mini-series has become quite a hit in Iran, and every Monday night people gather to watch it. Here, in the U.S. it broadcasts every Friday night on JJTVN through free satellite connection. (I also ran into a CNN character and political analysis of the mini-series on YouTube. Unfortunately, it was grossly, almost purposefully, inaccurate. While commenting on the mini-series, the reporters don't even bother with getting any of the characters correctly and blatantly confuse very minor characters for the major ones. However, I am hardly surprised. Much of the mainstream media's bar on accuracy in reporting on Iran remains fixed shamefully low.)
2007-09-20 23:52:18.0 --
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[ Art (هنر) ]
If one day you journey away ...
A French Canadian has produced an interesting rendition of Faramarz Aslani's "If One Day You Journey Away ..." (Agheh Ye Rooz Beri Safar) song in the original Persian. Her next goal should probably be works by Dr. Mohammad Esfahani, say the ones in his recent album Barakat. The only problem is we cannot hear her play her guitar here. For that, we may consult the young duo of brothers playing the song:
2007-06-26 18:37:11.0 --
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[ Art (هنر) ]
May It Live Multiple More Millennia
Having downed my wine glass filled with orange juice at one of the JavaOne parties, I left San Francisco for San Jose on 280 at around 11 pm Tuesday night. As I was reflecting on the day and all the stimulating conversations I had had with my colleagues at Sun and with people from companies as widely different as IBM, Zimbra, Amobee, Funambol, Oracle-Tangosol, Hyperic, RedHat, JBoss, Ericsson, Motorola and others, and with people who are using PostgreSQL and Java DB I was also flipping through the albums on the iPod connected to the car stereo and landed on the first track of Kayhan Kalhor's Nokhosteen Deedar-e Bamdadi ("The Original Dawn Visit"). This is the same Kalhor of the Silk Road Project, and the track I
believe to be his best work by far. The genius Kalhor has gathered and focused in
this album should be sufficient to let Kamanchech (a multi-millennial Persian string instrument) speak to future generations for multiple more millennia (far longer than any computers or computer languages can survive). I should point out that the faint-hearted may have some difficulty grasping the work. However, our daring to stay the course of drawning ourselves in Kalhor's musical expressions will prove rewarding as we open the locks we habitually put on our minds. (I believe I obtained the album in a summer trip to Iran in 2005 and unfortunately I do not find it on the Amazon CDs from Kayhan Kalhor to make a good recommendation.)
2007-05-09 00:34:27.0 --
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[ Culture ]
Norouz Slideshow
Palo Alto Weekly photographer, Marjan Sadoughi, has put together a slide show of local Persian New Year (Norouz) celebrations.
2007-03-28 22:55:44.0 --
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[ Culture ]
Happy Persian New Year
Spring equinox arrives in about 3 hours from the time I'm writing this entry.
2007-03-20 14:04:28.0 --
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[ Art (هنر) ]
The Largest Carpet in the World
One record for largest carpet in the world is being outweaved by another.
2007-03-16 17:47:19.0 --
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[ Culture ]
800 Years Later at Stanford, 1400 Years Later in San Jose
A colleague sent me a reminder that Mawlana Jalaluddin Rumi (1207–73)'s 800th birthday celebration at Stanford University will be held on Saturday January 27th, 2007. Mahmoud Zolfonoun will perform some muscial pieces, several Mawlana scholars will hold a panel discussion, and Robert Bly will be reading some translations of Mawlana. To some readers, I've promised my first podcast will be a reading of the first few verses from Mawlana's Masnavi in the original Persian, followed by my own rough English translations. (Note that I'm by no means a Masnavi scholar. So, my reading and translation will only give you a very rough idea of a very small corner of Mawlana's poetry. Masnavi, by itself, contains thousands of lines of poetry and Divan-e Shams, even more.) The tickets for the Stanford event, including the catered dinner, are priced at $90 per person. An English translation of Masnavi can be found here. That same Saturday also coincides with the day of Ashura, the 10th day of the lunar month of Muharram, marked by Muslims since some 1400 years ago as a day of commitment to justice. This year, I hear there may be a local Ashura procession in downtown San Jose. See here for BBC's account of Ashura, and here, for another scholarly account of its 'recent' history. The BBC notes that "Ashura has been a day of fasting for Sunni Muslims since the days of
the early Muslim community. It marks two historical events: the day Nuh
(Noah) left the Ark, and the day that Musa (Moses) was saved from the
Egyptians by Allah. Shi'a Muslims in particular use the day to commemorate the martyrdom of Hussein, a grandson of the Prophet (pbuh), in 680 CE."
2007-01-17 22:24:25.0 --
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[ Art (هنر) ]
Box Office Hit in Persian
2007-01-17 22:04:23.0 --
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[ Media ]
A Persian Blogger Comes of Age
In his "History of American Journalism classes," professor Thomas C. Leonard of UC Berkeley used to ask whether journalists, under the Fourth Estate, had perhaps evolved into a new type of priesthood (The Power of the Press: The Birth of American Political Reporting), and Kierkegaard would have hated that very aspect of modern times, The Present Age, and Ayn Rand tried to capture it all in her Fountainhead. This perspective, focusing on the leveling effect of the journalistic approach to understanding our moral place in the world, while full of modern rings, goes back all the way to Socrates and his dislike of the rhetoricians of the courts who could make anything sound right or good. Hence, his repose into dialogs. Who is right? The confusion continues, and perhaps, the disintegration of authentic communities of moral practice tend to give rise to priestly elites who busy themselves with "useful" justifications (of torture under "rules," e.g., by Alan Dershowitz: here, here, here; here and here) instead of advocating well-established and crystal-clear moral concepts having to do with human beings and their due integrity and honor, and also, to journalists who play the missing priests--to use professor Leonard's reluctantly-drawn but apt analogy.
2006-11-10 20:27:56.0 --
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[ Philosophy ]
Lecture on Zoroastrian Revelations
A colleague just pointed me to an upcoming lecture on Zoroastrian revelations and poetry. Sponsored by the International and Comparative Studies Division at Stanford University, the lecture will be given by Professor Martin Schwartz of U.C. Berkeley. I know Schwartz a bit through a seminar I took with him about a dozen years ago. (We had only three students in the seminar.) Schwartz is very modest and a great professor in his field and he can have some very surprising stuff in his talks and public lectures. The best may be to take a seminar with him, if you can help it and are close to Berkeley. (I think this can be arranged through UC Extension for one of the official UC courses he teaches.) The graduate seminar I took with Schwartz in Berkelely focused on a piece of Pahlavi text, some 1100 years old. We worked, specifically, on the first few pages of DeenKard, a Zoroastrian text of sacred knowledge collected by Zoroastrian scholars between 1400 to 1100 years ago. The text, if I remember correctly, while in middle Persian (Pahlavi) is written in Aramaic script. We spent about a semester on 5 pages of DeenKard --- a time totally well spent and well deserved. This was in spring of 1993 while I was doing graduate studies in logic and methodology of science at Berkeley. (L&MS was a gradudate group combining philosophy, math and computer science.) Because I wanted to better understand scholarship on Deenkard, I took one year worth of intensive German in the summer of 1993. I should also note that, concurrently with Schwartz' class, I was also taking a seminar in the philosophy department at Berkeley on "Ethics". In this philosophy course, we read about 2000 pages of western philosophical works on "ethics," and I can tell you with great confidence that I learned far more about ethics from those 5 pages of Pahlavi text in DeenKard than I did form 2000 pages moder philosophical works on ethics. Here's the announcement for the May 11, 2006, lecture and a few paragraphs about Schwartz: " Revelations of Zarathushtra: Poetry of Mysteries, Mysteries of Poetry"
2006-05-02 10:43:26.0 --
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DisclaimerI work at Sun Microsystems. The opinions expressed here are purely my own, and neither Sun nor any other party necessarily agrees with them.Coordinates
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