Music is really long tail - in 2007, 450,344 of the 570,000 albums sold were purchased less than 100 times. 1,000 albums accounted for 50% of all album sales. The music industry had its biggest sales week since they started keeping records, with 58 million units sold in the last week of 2007. The previous record was 47 million during the last week of 2006. 13% of all album sales come from American Idol and the Disney franchises.There's lots more data in there. Definitely worth a good look. - Thanks OscarCD sales are down 31% since 2004, but digital music sales are up 490%. Surprisingly, Vinyl sales are coming back - they grew 15% in 2007 and are up 70% in the first 3 months of this year. Mostly in indie vinyl. 1 out of 4 albums are purchased in a non-traditional retail store (i.e. internet, or at a concert). 80,000 albums were released in 2007 844 million digital tracks sold in 2007, 1% of all digital tracks accounted for 80% of all track sales.
Monday May 12, 2008
Sunday May 11, 2008
http://api.echonest.com/lookup?api_key=MY_KEY&names=the+beatlesOnce you get an artist ID you can get recommendations with this request:
http://api.echonest.com/recommendations?api_key=MY_KEY&ids=AR6XZ861187FB4CECDSome recommendations using the new Echo Nest Recommendation API Seed Artist of Jimi Hendrix:
- Cream,
- HendriX
- Stevie Ray Vaughan
- Jeff Beck
- The Jimi Hendrix Experience
- Eric Clapton
- Funkadelic
- Buddy Miles
- Michael Hill
- Doyle Bramhall II
- LED
- Deep Purple
- Bonham
- Page and Plant
- Black Sabbath
- Aerosmith
- The Who
- Bad Company
- AC/DC
- Cream
- Miles David and John Coltrane
- Miles Davis Sextet
- Miles Davis Quintet
- John Coltrane
- Charlie Parker
- Kenny Dorham
- Wayne Shorter
- Wynton Marsalis
- Bill Evans
- Thelonious Monk
- Badfinger
- George Harrison
- The Hollies
- The Animals
- John Lennon and Paul McCartney
- Paul McCartney
- The Beau Brummels
- The fourmost
- Peter and Gordon
- George Martin
- Rick Wakeman
- Emerson, Lake & Palmer
- Patrick Moraz
- Yes
- Gentle Giant
- Steve Hackett
- King Crimson
- Colosseum
- Tony Banks
- Graham Bond
java -jar hudson.war
If Hudson works as well as it seemed to in the JavaOne talk, then I think we'll be using this as our build and integration tool for Project Aura.
Thursday May 08, 2008

Panelists:
- Colin Brumelle - Moderator
- Tom Conrad - CTO Pandora
- Marc Urbaitel - CTO In-Ticketing
- Shaun Haber - Warner Bros. Records - Director of operations, using Drupal to build an artist platform.
- Jeremy Riney - Project Playlist, CTO, Founder
- Jack Moffit - Xiph, Chesspark - IM, gaming
Marc - uses php - quicker turnaround time, lets them be much more nimble. Open source is good.
Shaun - open source CMS - chose Drupal: a big reason is active developer community.
Jeremy - also uses Drupal - Paylist is the largest Drupal user with 25 million active users.
Tom - were on Java, Oracle, Jetty servlets due to legacy reasons. Oracle was a disaster, so they ported it all to postgres. Re-implemented Oracle procesdures at the Java language. Some core routines in C, - huge memcachd - 200 servers, 2000 interactions per second. 64 bits linux, intel CPUs, the shiny frontend is flash. They didn't have anyone who knows about flash. Used openLazlo to build the application using javascript and their framework and compile it down to flash. Tom says Lazlo is a great piece of software.
Jack - Perl, then Python, with webware frameworks, mysql, postgres, now Jango (rails-like python), they run everything on Amazon EC2 and S3. Wrote lots of Javascript - use all scriptaculous, prototype and others.
Colin: Is EC2 the future?
Jack - Went through CO-LO hell. Was hard to provision new hardware. On Amazon, they can type one command and get 10 more machines. Jack is very happy with EC2, S3. Jeremy was concerned with complexity but Jack says it was not too hard.
Tom: If they were starting today, they would be considering cloud computing like EC2. The hardest part to scale horizontally is the database. Risk become predicting the future. How do you provision just the right amount of servers. This would become a guessing game.
Marc uses cloud computing to do scaling testing (buying lots of tickets at once).
Tom - also the cloud is useful for data recovery - use the cloud to serve as the failover. Pandora decided to do their own CDN. The save much money they by doing it themselves.
Tom says don't by Foundry load balancers
Questions from Derick of CDBaby - Tells the story about how he rewrote CD Baby for PHP and Ruby On Rails. After 2 years of frustration, he threw it all away. Nothing to do with Rails - but keeping the two systems (PHP and Rails) alive was hard. Derick also lauds EC2. Tom does say that you are still paying a margin to Amazon for this so it could cost you more than doing it yourself.
Tom talks about "test driven development". They can rip their system apart and put it back together and be confident that it will work because of their tests
First topic is the well-worn topic of how we navigate the intellectual property minefield of music. How can companies make money while still compensating artists. I wish the panel would focus a bit more about technology and less on rights and IP. There's a separate legal track. As K7lim says "this is a kindergarten discussion of IP policy."
Tim Westegren calls for better, simpler design is necessary to engage with listeners, especially new listeners. "Simplicity brings people in" says Aza.
Brian asks: "What is the Future?" - Ty Roberts talks about music product. He's interested in 'music packaging' - augmenting the simple MP3 with all of the ancillary metadata (album art, reviews and bios). Aza suggests 'continuity of experience'. Eliminate the facebook.iTunes silos - get rid of having to worry about where your music is coming from. Michael says it is 'Simplicity'
Tim points out that radio has always been popular. He says that people don't want to spend alot of time administrating their listening experience. He suggest that music will be everywhere, supporting by advertising. Once this is in place, there will be lots of ways that people can use and interact with the music.
Aza points to the Kindle as a good example of where things should go with music. "Feels like free" is key - whether it is ad supported or some other model.
Discussion about the "metadata problem".
Tim offers advice to artists - add a new member of the band - a non-musician - to be the marketing person to get the band exposure on the 'nets.
Monday May 05, 2008
Saturday May 03, 2008
Wednesday Apr 30, 2008

Friday Apr 25, 2008
Monday Apr 21, 2008
Steve promises to start posting regularly about the engine, so check out the Search Guy blog: The Search Guy
Friday Apr 18, 2008
- Take a poll to find out what music people like the least.
- Put all this horrible music into one song.
- ???
- Profit
There's no way you will enjoy this song.
The most unwanted music is over 25 minutes long, veers wildly between loud, quiet, fast and slow. The orchestra features accordion, bagpipe and an operatic soprano singing atonal music, advertising jingles, political slogans, and "elevator" music, while a children's choir sings jingles, holiday and cowboy songs. The song is a masterpiece in modern horror. Read more about this project.
Via Mike Love’s blog
CBS Interactive's Quincy Smith On Re-Org: 'More CBS Corp. Firepower Focused On Interactive' - washingtonpost.com: "Last.fm: It's almost a year since CBS plunked down $280 million for the UK music recommendation start-up and Smith knows he needs to deliver on all that promise. Last.fm has been growing rapidly on its own and has been given start-up like breathing room but it's time to bring it more into the fold. As we've written here before, Last.fm also needs more U.S. traction. Yes, Smith said, they bought Last.fm in part because of its strong international appeal. 'But it's our job, frankly, as a corporation, to make them more valid in the United States.' To that end, CBS will ramp up on-air promos with 'a lot more call outs' starting in May and, very soon, Last.fm will get its own CMO 'charged with plugging them more into the CBS mainstream.' In late May, CBS will start sending viewers of certain shows to the show's music on Last.fm. 'The downside of Last.fm right now, from my perspective, has nothing to do with the service itself ... the question is how do you blow it up and make it a major media brand in the United State?' Last.fm is working with CBS Interactive's Entertainment unit. As Smith put it, 'CBS has done much less of a job with Last.fm than Last.fm has done with Last.fm.'"
No doubt going mainstream with Last.fm is necessary for CBS to justify their $280 million dollar investment - but for a site like Last.fm, going mainstream is really tricky. Last.fm listeners tend to be highly engaged music fans - whose taste runs to less mainstream music - you are more apt to find artists like Radiohead, Arcade Fire and the Postal Service in the top ten at Last.fm compared to the mainstream pop artists like Mariah Carey and Miley Cyrus that populate the Billboard Pop 100. As Last.fm goes mainstream, there is going to be a culture clash as the mainstream listeners collide with the old-school last.fm listeners. Teenyboppers (and their angry parents) will wonder why Hannah Montana is tagged with 'hardcore death metal' and 'lesbian'. Old-school last.fm listeners will leave for alternative sites as last.fm loses its focus as the best site to discover new indie and alternative music. It's Digg all over again. As Digg went mainstream, it lost its focus on technology - and all the hard-core tech readers went back to slashdot. The problem for Last.fm is that as it goes mainstream, it risks losing much of its core audience - the highly engaged music fan - and this user base of hard core music fans is one of Last.fm's biggest asset.Thursday Apr 17, 2008
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