
Sunday May 22, 2005
random notes: revenge of the sith
to borrow a line from dennett: must we talk about star wars? apparently
we must.
so i saw the sith as i must; i had seen the new hope in theatres
a long time ago in a life far far away. for this installment, awful dialogue is a
mere detail [i realised this later while watching a silent chaplin piece]
and may as well
be in a foreign tongue - the raw power of deceit and murder in brilliant digital
imagery and
color carries the day.
i think the
only bothersome detail is how fast one changes permanently from an angry
and confused young man deeply in love to a murderous nutbar with remnants of some
identity and especially of that love.
lucas thinks past displays of weakness and difficulty of letting go of things
somehow prepares us for this
nearly instant change,
but i would argue it does not. there is no falling into a dark side vortex here, but
willing service. we are supposed to evaluate this change for someone
who has gone (and going) through tough mental training. i guess i have too much respect for
a good mind to surrender it easily to cheap storytelling.
i did read anthony lane's
hilarious new yorker review. he has some good points, but i think
resorts to too much ridicule, and not enough analysis. alas, right on the money
in general, when he writes: break me a ****ing give.
related reading: harlan ellison, luke skywalker is a nerd
and darth vader sucks runny eggs in harlan ellison's watching,
underwood-miller, 1989.
anthony lane,
nobody's perfect: writings from the new yorker. [good cover design for the
paperback. probably not immediately obvious that it was inspired by saul bass
cover and poster art. see anatomy of a murder.]
star wars has no people. - ellison
[image: an 1.5in lego lightsaber, running out of power. oz/05]
(2005-05-22 15:54:24.0)
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